I Wonder as I Wander
· A/T/B make the “back-up” singing in
ms. 16-24 pp throughout
· Trebles keep it soft in ms. 26-35.
Men keep melody soft there as well
· Move Verse 3 a bit more with rubato
· Trebles make sure to activate tied
notes in ms. 56-70
· Sing with closed hum on Verse 4
I’ll Be Home for
Christmas
· Sopranos coordinate diphthong on I’ll in the first measure
· Basses be definitively together on I’ll in ms. 5 but avoid a big glottal
attack
· Sopranos look at Alto part in ms.
25-35 (i.e. pg. 5) as there will be a solo on that.
· Don’t over sing ms. 41 and 42.
Actually get slightly softer on “-mas” of Christmas
and avoid much vibrato
GLORIA Movement II and III
· Review the notes and rhythms with the
words up to pg. 32
· Practice with the recording up to
tempo if possible
From
Wednesday, September 5 Rehearsal:
Let There Be Light
· Chord in ms. 1 needs to be full but
light or even better, non-vibrato
· Basses tighten up all solo/melody
sections especially ms. 6
· A & T articulate words ms. 14
· Changed dynamics – ms. 22 (p), ms. 24 (mp), ms. 26 (mf)
· Make the key change at ms. 24 more confident
and exciting – practice key change with recording
· Detach all eighth-notes in ms. 42-44
· Lighten all unison sections by one
dynamic such as ms. 17, 29, 45-47, 51, 59-60, 62-62, 74
· S, A & T let the “g” be forte in
ms. 76 and then crescendo the vowel over the bass line
· Make the last chord as non-vibrato as
possible with ff
Good Christian Men,
Rejoice
· Please keep the 1/8-note sub-pulse in
mind at all times to keep tempo moving
· Keep light over all.
· Change in breaths: Verse One: stagger
from Give ye heed to born today. No breath between the two
phrases Christ is born today
· Verse two, women make it smoother,
warm, and sweet. Slow ever so slightly
· Pick tempo back up in Verse Three.
· No breath after rejoice. Luftpause after endless
bliss
· Slight ritard on first for this, followed by fermata on this. Keep slightly slower tempo for
last phrase
S’vivon
· Remember this is a song of
anticipation and joy despite its minor mode. KEEP IT MOVING
· Basses, be very precise on repeated
descending line in ms. 7-8, et al
· Sopranos make sure to move ms. 21-26
· Ms. 37 will be slower and last
measure will be subdivided 1 & 2 & etc.
FOR WEDNESDAY 19
Gloria - Movement III
look at notes and rhythms from p. 30 to the end
Ave Maria
Magnificat (Arvo Part)
Deck the Hall
Stille Nacht
I will send the list of solos in an email.
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