Check here each week for rehearsal notes and other important information concerning Bel Canto Napa.

Thursday, January 26, 2023

NOTES for Week of January 29, 2023

Dear Friends,

Again, I want to welcome all our new singers: Anna and Bill, Sally, and Leila. We are glad you have joined us and look forward to the music we all will create together.

A FEW THINGS

  • Check your NOTES weekly. If they don't appear in your email inbox, go to the Bel Canto website.
  • If you anticipate needing to be gone for a rehearsal, please enter your absence on the Google Calendar. Chuck can assist you if you're having difficulty.
  • Please keep up to date on the music. If I've gone through something pretty intensely, please don't let that practice and knowledge fade. Review it each week.
Spätherbst 
  • All: Slowly practice the pronunciation starting with words, then short phrases, then whole sentences. Practice saying the words slowly (emphasizing the vowels) in rhythm. Then begin to slowly sing in the words.
  • Highlight the dynamics, noting that there are often dramatic changes in only a measure or two.
  • Bass and Tenor: be very precise with the chromatic lines, particularly descending. 
Trees
  • Pay particular attention to intonation. There are a lot of unisons and 2nds which need to be exact.
  • Highlight the key changes.
My Soul's Been Anchored
  • Make sure all that sing the inner parts that shift between 2-, 3-, and 4-part are aware of which notes you sing as you shift. Note: solo sections change it.
FOR TUESDAY,  JANUARY 31st

MEN at 6:30/WOMEN at 7:30

Abendlied
  • Review you notes and rhythms
Trees
  • Review pages 1-7
  • Go through notes and rhythms to the end
My Soul is Anchored
  • Review parts to the end
The Willow Song
  • Review parts

Thursday, January 19, 2023

NOTES for Week of January 22, 2023

Dear Friends,

It was such a joy to meet with you on Tuesday again, and begin singing in preparation for our spring concert. It was also nice to meet and welcome our new singers, sopranos Anna Leigon and Sally Geftakys, and tenor Bill Leigon. WELCOME!

A few notes:

  • As I emphasized in rehearsal, intonation is crucial and something of which each member must be vigilant. Be aware of your vocal technique (avoid tension), your breath management, and those places where pitch tends to sag (repeated tones, descending intervals/phrases, and cadences). Always rehearse your music, singing with the best vocal technique possible and flawless intonation.
  • We will start Sectionals this week. Women should arrive at 6:30. Men should arrive at 7:30. (Spouses are welcome to read along with the others.) Please vocalize before rehearsal.
  • As you begin rehearsing your parts at home, please start highlighting your music (all tempo and dynamic markings.) 
  • Be attentive to diction. I will record the German and make it available in the resources if you are not familiar with the pronunciation.
  • Please plan to review/practice the pieces we've gone through in the previous rehearsal, as well as the specific ones I will highlight the following week. 
From last week (Jan. 17th)

There is a Pleasure
  • New members review notes and rhythms. Soprano divisi: Anna on 2nd, Sally on 1st.
  • Note the movement to unison in mm. 2, 5, 6, 9, 11, 15, and 18. Those need to be really unified in pitch and timbre.
  • Stagger breathing from mm. 4 to 8, no breath in mm. 10, 12. Luftpause in m. 14.
  • This will be memorized.
Brahms: O Schöne Nacht
  • Review/practice using rich, warm, Brahmsian tone. Energize sustained notes, pulling through the phrases.
  • Sopranos really work out notes, rhythms, and words in mm. 41-45. It should sound clean and frankly, effortless. 
  • The sacht(s) should be touched lightly and released. Note they're p and staccato, and in m. 59, dolce.
  • Correction: pronunciation of the st combination in liebsten (mm. 50 and 58) is -sten not -shten.
FOR TUESDAY, 1/24

WOMEN

My Soul's Been Anchored in the Lord

  • 3-Part Divisi: Top: Suzanne, Sally, Carissa, Hunter; Middle: Anna, Lisa, Toni, Cassi; Bottom: Suzi, Michele, Cyndi
  • 4-Part Divisi SI: Suzanne, Sally, Carissa; SII: Hunter, Anna, Lisa; AI: Toni, Cassi; AII: Suzi, Michele, Cyndi
  • Review notes and rhythms to m. 70.

Now All the Woods Are Sleeping
  • An exercise in unison singing
WOMEN MEN

Brahms: Spätherbst
  • Review notes and rhythms (and words if you're familiar with German).
  • Highlight all dynamics
Trees
  • Review notes and rhythms
  • Highlight all dynamics
  • Notes breaths 
MEN

My Soul's Been Anchored in the Lord
  • 3-Part Divisi: Top: Chuck, Dan, Dana; Middle: Thom, Bill, Andrew, Larry; Bottom: Matthew, John, Gregory, Robert
  • 4-Part Divisi: TI: Chuck, Dan; TII: Dana, Thom, Bill; BI: Andrew, Larry, Gregory; BII: Robert, John, Matthew
  • Review notes and rhythms to mm. 70
See you Tuesday at your respective times.

Ted

Sunday, January 15, 2023

NOTES for Week of January 15, 2023

 Dear Friends,

I hope you had a wonderful holiday and are ready to sing again. I look forward to gathering with you this coming Tuesday, January 17, 2023 at 6:30 pm in the Music Room at Harvest Middle School.

We had a very productive Board Meeting this past week discussing and planning upcoming activities. We also talked about the success of our holiday concerts. We had over a 100 more people at our concerts than we have ever had. Kudos for getting the word out.

I want to give a special thanks to one of our Board Members, Joanna Mittman, an often unsung hero of Bel Canto. Joanna is the one who oversees the operations of our organization: setting up meetings, taking notes and preparing Minutes, preparing our annual tax and governance filings for our non-profit status, managing licensing requirements, keeping our calendar and communications up to date, and assisting me, and the Treasurer with donor receipts and acknowledgements, to name just a few of her duties. Joanna will be taking this spring semester off while she helps with the transition of her family, who is relocating to New Zealand. Despite taking the semester off, she has agreed to make sure the legal aspects of our organization are kept up to date. Thank you, Joanna for all you do! We will miss you.

A FEW THINGS

  • Chuck sent out a repertoire list. If you sang with us in Spring of 2020 (when we stopped rehearsing due to Covid), you should have the music as indicated. Please dig it out and bring it. I have not ordered much more than we need for the new members.
  • I'm still waiting for the new repertoire to arrive. We will let you know when it arrives and what each person will owe for their scores.
  • The Brahms Vier Quartettes Op. 92 are available on the resource site for those who don't have it. As it is public domain, it is easier and cheaper to print it, than ordering it and waiting indefinitely to get it (it also includes the accompaniment). For those who want a published vocal score, I have a couple of originals, if some of you prefer. Please plan accordingly as we will begin working on it TUESDAY.
  • As Chuck said in his memo, there are parts and performance resources for those pieces. I will have the others shortly after I receive the new music.
  • Plan to bring a music stand if you prefer. I will be arranging the choir in rehearsal formations that will help you hear, blend, and balance. Be flexible. I will discourage singers from sitting/standing at a distance from their section.
  • Plan to do a little vocalizing prior to coming. I will do some ear-training vocalises, as well as vocal development exercises, but sing a bit before arriving, even if in the car (do so carefully).
  • PLEASE BE ON TIME! We need to be punctual. It shows respect to one another and to me. 
  • I will be choosing section leaders (and a secondary section leader). These people will help me and you determine what needs to be done to sing our best. This will include checking for accuracy of pitches and rhythm, diction and vowel uniformity, and observation and performance of expression marks. Over the course of the semester, we will have sectionals scheduled into our rehearsal times. This will provide opportunity to work on matched tone, intonation, and expressiveness.
  • Once I've given you a chance to know your music, be prepared to sing alone in quartets or small groups. This will give you a chance to show that you know your parts independently.
I want Bel Canto to continue to grow and improve, and to be the best ensemble possible. From what I've heard over the last several months, this is the expressed desire of most of you. Know that it will require a high level of focus and discipline. I also want it to be enjoyable experience, and something that you are proud to be a part. I will do my best to make that the case.

I look forward to seeing you all soon and to begin a wonderful Spring semester together.

Ted