Dear friends,
It was great to see you all at rehearsal Tuesday evening. As we
look forward to our 8th Season, I want to make sure we’re all on
board to make this our best season yet.
1.
Hopefully you will enjoy learning and performing
this repertoire. If you have not yet paid the $50, you can do so by cash, check,
PayPal and Venmo (check your email from Joanna).
2.
Let’s make it a habit to be punctual. Vocalizing
will start close at 6:30 pm, so try to arrive a few minutes early.
3.
Please start thinking of who you’d like to
invite to the concert.
4.
Also, please think about who you know who might want to place
an advertisement in our program. I will have rates by next week’s rehearsal.
For rehearsal on Tuesday, August 23, please prepare:
O Magnum Mysterium
· We have several pieces that are in Latin or contain Latin. Please be meticulous in your latinized pronunciation. No American r’s, de-emphasize the final syllable, remember the dental consonants (d, n, t, and l) and in is pronounced “een” every single time.
· Work on precision while keeping it very rich in tone and molto legato.
· On the 3-part men’s divisi (mm. 11-12, 26-27, 36), I would like Thom (coming from tenor), Andrew, Robert, and Larry to take the middle notes.
· Bass/Baritones, if you can effectively sing the E1 in mm. 47-48, please do so, otherwise take the E2.
· Highlight all dynamics.
· Treat the chord in mm. 17 gently. Very tight harmony.
In Dulci Jubilo
· We have several first Altos who would rather not sing Alto II, so we will mix it up. In the divisi mm. 1-57, and 74-end, Alto II will be Suzi, Michelle, Cyndi, and Toni, Alto II will be Cassi, Wendy, and Joanna.
· When the Sopranos divide on mm. 59-73, I want Suzanne, Carissa, and Hunter on Soprano I, and Dana, Lisa, and Toni on SII.
· Write in the English translation of the Latin above or below the Latin words. Remember that the h in trahe is silent so it’s ”trah-eh”.
· Make sure to be precise in the rhythm such as the syncopation of Dulci opposite the even 1/8th notes in jubilo
· Highlight all dynamics and articulation marks (accents, etc.)
Magnificat
· Work from mm. 1-41. Remember, we’re doing the solos in a slightly lighter volume.
· Disregard the editor’s suggestion to sing staccato. Think detaché which is in a slightly detached manner as strings players do when they change the direction of the bow for each quick note. For slurred notes such as mm. 33-36, connect them (two notes to bow stroke).
· The dynamic markings are good suggestions. Observe them.
· Mihi in m. 30 is pronounced with a hard ”h” sound, almost like German.
Sing We Now of Christmas
· Highlight all dynamics
· Alto divisi is Suzi, Michele, and Cyndi on Alto II, others on Alto I
We will also go through the wedding music (A Nightingale
Sang, Sing Me to Heaven, and Laudate Dominum with Andrew) as well as
have a cursory look at the hymn that will be sung. I will bring copies on
Tuesday.
Have a great week until I see you again.
Ted